IN THE BEGINNING:

Our eyes are naturally adept at distinguishing between 2D and 3D visuals, yet visualizing how a flat image translates into a three-dimensional model can be a challenge. This unique ability to bridge the gap between 2D and 3D was crucial in one of my recent projects: creating a 3D model of a Vietnamese refugee boat for a monumental public art installation.

Project Overview:

Approved Concept Drawing by Denise Duong and Gabriel Friedman that was also used in the creation of the 3D model as reference image

Concept Drawing by Denise Duong and Gabriel Friedman – 2D Manufacturing artwork

In this project, I utilized ZBrush to transform a conceptual artwork into a detailed 3D model for a 30-foot-long public art piece. The original artwork provided side and top-down views of the boat, which served as the foundation for the modeling process. My goal was to ensure the design remained faithful to the artist’s vision while preparing the model for its large-scale realization.

Step 1: Gathering Key Elements

Before diving into any 3D modeling project, I focus on gathering essential details from the client. This includes logos, reference images, desired design elements, dimensions, and any inspiration boards showcasing the themes, styles, or aesthetics they envision. For instance, when designing rings, I ensure I have specifics like stone sizes, quantities, and placement to deliver precise results.

By uploading reference images into ZBrush, I use them as background outlines to start blocking out the basic form of the 3D model. This ensures the design aligns with the client’s vision right from the beginning.

Image of manufacturing art used as outline to create a 3D Model of the Vietnamese refugee boat

Using reference image to 3D Model the boat

Step 2: 3D Modeling the Boat with ZBrush

I began by matching the overall shape to the concept art’s side and top-down views, ensuring both perspectives flowed seamlessly together. Once the primary form was complete, I added secondary details like boat trimmings, wave patterns on the bottom, and footprints on the deck. Tertiary details, such as wood grain texture and directional flow, brought the model to life with added depth and realism.

Close up view of the 3D model Vietnamese refugee boat

Step 3: Collaborating and Refining

Revisions are a natural part of the creative process. With hundreds of projects under my belt, I’ve learned to embrace these adjustments as opportunities to improve. For this boat project, the roof of the cabin initially had a close design but was later revised to be open, a dragon imagery on figurehead removed, and the colors of the stripes and the “eyes” on the boat’s sides underwent adjustments to meet the final vision.

These refinements not only enhanced the design but also demonstrated the importance of collaboration and adaptability.

3D rendering of the Vietnamese refugee boat first version 3D rendering of the Vietnamese refugee boat second version

Step 4: Rendering and Animation

Rendering animations can be time-intensive, depending on hardware, complexity, and scene duration. To save time and resources, I always ensure the 3D model is fully approved before rendering animations. I created a simple turntable animation with a dramatic background and rendered using KeyShot.

This turntable animation served as a valuable bonus for both the Asian District and the artist, supporting promotional efforts, fundraising events, and public announcements.

 

Key Takeaways:

This project underscored the importance of preparation, collaboration, and efficient workflows in delivering high-quality 3D models. By maintaining open communication with the client and leveraging advanced tools like ZBrush and KeyShot, I was able to bring a culturally significant piece to life for public appreciation.

What started as a simple conversation turned into a meaningful contribution to a public art installation. As a bonus, it deepened my understanding of my Vietnamese background and improved my mental well-being.

During a meet-and-greet dinner party for the public art artist and the Asian committee, the event organizer commissioned a 9-inch 3D-printed boat with a copper rub finish on a black walnut base with a personalized clicker plate. There was also revisions to go back to the closed roof, changes happen.

The organizer announced that all donors who contributed x amount would receive this commemorative boat. It was also the artist’s first time seeing the 3D-printed model in person, which provided them with a clearer vision of how to construct the full-scale version.


3D Printed Vietnamese Refugee Boat, Copper Rub finished on black wood base with a personalized metal clicker plate3D Printed Vietnamese Refugee Boat, Copper Rub finished on black wood base with a personalized metal clicker plate

 

21 inch scaled version of the 3D Printed Vietnamese refugee boat to recreate a maquette of the actual 30 feet wide public art boatMaquette boat construction of the actual 30 feet wide public art boat Gabriel Friedman standing next to the frame Vietnamese Refugee Boat The construction of the Vietnamese Refugee BoatInterior view of the painted Vietnamese Refugee Boat Side view of the painted Vietnamese Refugee Boat Three quarter view of the painted Vietnamese Refugee Boat with Toon H Nguyen and Gabriel Friedman

Let’s Make Something!:

Whenever I tell people I’m a 3D modeler, I explain it as turning ideas into tangible creations. A 3D rendering of your vision can help secure investor interest and funding before producing a physical object.

Have a vision you’d like to bring to life? Schedule a consultation with me today to learn how 3D modeling can turn your ideas into reality and even a return on investment!